Showing posts with label E-book. Show all posts
Showing posts with label E-book. Show all posts

Thursday, May 23, 2013

Free ebooks revisited

Years ago, (many years ago) when AOL was a fledgling internet service, I subscribed to one or two (actually more) writing and writer's chat rooms, discussion groups and forums more to explore and learn than to socialize. Back then, AOL had numerous places to hang out and exchange ideas.

One evening, I was lurking and looking, entertaining myself as I watched the dialog among several people about whether or not writers should expect to get paid for their work. The camps were not equally divided but a goodly number of the people in the chat room believed writing was an art that should be freely shared and that writers should never write for profit. They should write because they loved to write, period, end of discussion. On the opposing side of the argument, defenders of the big bucks (my tag, not theirs) indignantly argued that if writers should not expect to get paid for their blood, sweat, tears and cost of typewriter ribbons (Yes, Virginia, this was before word processing replaced those clunky machines entirely.), then nobody should expect to get paid for theirs, not doctors, not teachers, not policemen, not movie producers, not, not, not.

Neither group convinced the other to switch sides.

I, being a writer who used my talent to do silly things like pay the rent, put gas in my car, and eat at least once a day, sided with the pro-pay group.

Several years later, I landed a gig with an independent publisher whose philosophy was “Never give away information.” I felt vindicated, sort of. I add the “sort of” because I knew he was in the business of publishing information for which he expected to be compensated through sales. Still, this made sense because when he got paid, his writers got paid and both could pay the rent, put gas in their cars and eat at least once a day.

(This same publisher also believed that if a book gave you one single idea, one tiny shred of enjoyment, no matter how bad the book, it was worth every penny you spend on it, something I did not favor.)

Fast forward to this era when AOL is just another player in the big cyber game where the debate continues, now with the added ingredient called the eBook, the little rascal that invites anyone and everyone to write and publish and sell – and give away – their talent.

Now the question becomes serious because the competition is even more fierce. One book by one author, good, bad, sensational or stinko, isn’t going to get anywhere on the sales charts of the big internet outlets because it is like that proverbial needle in that farmer’s haystack. There’s no big publisher to spend big bucks promoting it; and the independent, self-published author probably doesn’t have the kind of dough it takes to get the job done. The solution? Find every social media site, every forum, every board, and give away that book. Ask, beg even, readers to review it in their blogs, on those same social networking sites, those same forums and boards. (And pray the reviews are as good as you think your book is.) Build yourself a fan base in the hopes that those same readers will pay for your second effort, or your third, or your fourth. But trust me on this, if your book isn’t worth the read, even if there’s one single idea, one tiny shred of enjoyment on the part of the reader, your strategy won’t work.

Even so, I don’t believe writers should give their work away, unless it’s in the form of promotional efforts -- like blogs (where they still can hope to earn a few sheckels from advertising, through click-throughs and affiliate programs) and interviews and signings and such. This is where they can share our love for writing for free.

Of course, this is my opinion. I’m sure I’ll get some disagreement.

And now, it's off to the word processor to write something to pay. The rent's due in a few days.



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Saturday, August 4, 2012

No free books

I know. Current wisdom advises indie writers to offer readers free copies of their eBooks. The purpose, I suppose, is to introduce readers to the writers in hopes that the style, plotting, characters and all the factors that make for a good novel, will entice readers to buy the writer's next book.

I guess this is sort of similar to going to a used book store or a thrift shop and picking up a book by an unknown writer. The difference is, in the beginning, what that less expensive tome came off the press, somebody paid for it.

It didn't start off being free.

So, why should an eBook start off being free?

Anybody can get a taste of a writer's work because books available for your kindle (or kindle for the PC) can be previewed. You get a set number of pages from the beginning of a book just by pressing a button. If that's not enough copy for decision making then I don't know what is.

I think the first question an author should ask is "How much is my book worth?" If the answer is zero, nada, nothing, if all that hard work was just to have a name under a title, then my advice is to keep the darned thing on your hard drive. If it's free, that's exactly what it's worth.

I think the only free copies that should be out there are the classics, the out-of-copyright works, especially those that are required reading for school kids.

Writers have a tough enough go at making money.

I know this is harsh thinking but the electronic reader isn't going to go away. People are still going to download books. Granted, with the current economy, readers are likely going to be very choosy about what they purchase.

My take? Get rid of the free eBook. Get out there and promote yourself and your work. Don't know how? Check out the eBooks written specifically for you.

I recommend Robert Kroese's $2.99 work (shown at left).  It's not the best but it's better than some of the others I've looked at.

You'd have to do it if you had a major publisher putting your stuff on paper and in stores.

Oh, and by the way, I was going to try the John Locke book but I downloaded a preview of one of Locke's Donavan Creed novels before deciding whether or not to purchase one or more.And, when I read the reviews of the book, I opted for this one,




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Thursday, December 15, 2011

Doubt

Can one be "more" doubtful? Is doubt, like the word unique, so emphatic that it can't (or shouldn't) be modified, embellished, or increased in value?

I guess it doesn't matter. What's more important is how the word applies to you (and me) as a writer.

Once I put the finishing touches on The Mine, a different kind of thriller, I set it aside for years. It had been gone over by an editor who enthusiastically recommended some changes and polishing, which I attended to -- before storing it on a floppy disk, a CD, and a backup drive. Storage and backup had nothing to do with doubt, understand. I just didn't want to face the arduous task of looking for an agent. Something to do with rejection, I'm sure.

As I began working on other projects, I allowed this manuscript to linger until finally, I decided to put it in eBook format.

It was well after submitting the work in kindle and smashwords format that the doubt set in. Was it good enough? Would anyone buy it? Did I have what it takes to promote the book myself? Was it priced right?

Months and months later, I decided to look for answers to some of these questions, and to do that, I pulled up my final draft and read the novel again.

I think overall it's good enough. In fact, it's pretty darn good -- except. I think it starts too slowly. After the prolog, the pace could use a little help. However, about half way through, the plot gets more involved and eventually, it turns into a rather exciting finish. People have purchased it, although not as many as I'd like. As for self-promotion, I'm working on that. But, even at the bargain price of $2.99, only one person reviewed the book on Amazon.

I hate to tell you how I feel about my second novel, the start of a detective series, but I will. It, too, starts slowly.  I think the twists and turns of the plot are good enough and the ending is great, if I say so myself.

I'm just wondering ... how does doubt fit into your work? Do you ever wish you could have a do-over? More importantly, do you make amends for your doubts in your next work?

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Thursday, August 25, 2011

Three cheers for: James Patterson

Ha! Take that, Publisher!

Selling 220 million books worldwide, James Patterson should be hero to all creative writers. Those 220 million copies cover a wide swath of genres.

Sure, most people think of the Alex Cross series when Patterson’s name comes up, but the man has proven that as a serious writer, he doesn’t (and we don’t) have to limit ourselves to one particular theme.

James Patterson has written children's bestsellers, young-adult books, character-driven detective novels, novels featuring strong female characters, emotion-packed family novels, fantasies … and probably a few genres I’ve missed along the way, including those in the nonfiction category. (Along the way he’s picked up some credible co-authors who always get credit for their contributions.)

Patterson isn’t the lone wolf in this matter. Plenty of other print-published writers have crossed genres successfully and continue to explore their creativity. I’ll give them due in this space as time permits.

Meanwhile …

Agents and publishers like to deal with people who fit neatly into their matrix of what they’ve (They being the agents and publishers) done all their lives. Don’t let them do it. Write the stories that capture your imagination, the plots that just won’t stop unraveling, the characters that will charm the pants off whatever age group they belong to … just write. And if you can’t find an agent or publisher who appreciates your talent and skill (it’s likely you won’t), go forth and publish eBooks!
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Saturday, July 16, 2011

What's your novel about?

One of the toughest tasks for a writer comes after the last period on the last page.

It's summarizing all that hard work, all those words, all those characters and plot developments into a comprehensive summary for submission to an agent or a publisher or to use as detail information on their ebook sales page.

I found this very interesting and helpful blog post from another author's site. Mike Wells has done a good job of identifying the points to include by using The Wizard of Oz as his example.

If you have a kindle, you can download this and the entire related archive for free.

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Saturday, June 25, 2011

Some random thoughts about John Locke

Just a couple of days before the media blitz revealing the news that John Locke had reached (actually exceeded) a million sales for his eBooks, I downloaded a sample chapter of his Vegas Moon (A Donovan Creed Novel). I did so because my sister purchased a copy -- she has an abiding interest in Las Vegas since it's my home -- and because it has a Vegas theme, much like my
Desert of Deceit.


After wading through the preliminary and obligatory pre-book verbiage, I was ready to rock and roll. But after reading just the first sentence, wasn't sure I wanted to read further.

Understand, I'm not a grammarian; I'm average, which I'm told isn't good enough for readers. I rely on a good editor to point out flaws in the structure of my sentences. One of my biggest problem areas is the use of commas. I guess I should say overuse.

And that's what stopped me in my tracks with the Locke book, a little phrase, offset by commas, that just didn't sound right in my ears. Maybe the comma belongs there; I'll ask my editor.

Okay, so I didn't let that stop me because sometimes even a book with misspellings and bad grammar has good plotting, interesting characters, and some kind of redemption ... I read the rest of the sample and decided not to buy the full version. I've read a lot of hard-boiled mysteries, police procedure novels, and suspense but I just couldn't get involved with this one.

What the heck was wrong?

To figure it out, I turned to Amazon where the first three pages of reviews talked about how hilarious the character (Donovan Creed) was and how the author keeps you laughing all the way through the book.

Okay. Just how funny is getting a colonoscopy without sedation? Just the prep for the procedure is enough to make you throw up!

Maybe I'm getting too sentimental as I age but I can't see myself falling in love with Donovan Creed; I can't even see myself having dinner with him!

Then there's the dialog. Three pages of single sentence conversation left me wondering who was talking to whom about what.

Finally, I take issue with stretching reality. I know how to suspend my disbelief but I live in Vegas. I know there's no casino that's going to take the kind of action this Lucky character throws out. I also know a lot of professional gamblers personally and they'll all admit that they've never been able to achieve a 68 percent win rate.

All in all, though, a million books! That's impressive. Just not my type, I guess.
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Wednesday, June 8, 2011

Free eBooks: What's up with that?

I’m a bit discouraged about the world of eBooks.

Even though the electronic age unofficially belongs to a generation to which I no longer belong to, I’m a big fan of the changes of the “revolution.” However, I’m not happy about the residual effects, the innocent ravages of change.

Note please: The malaise has nothing to do with my own endeavors in the field. It’s something I’ve been ruminating about for a while now and it surfaced from random thought to full-blown reality this morning. That’s when I read my newsletter from American Editor

In the newsletter, the author listed 22 eBooks recently added to his eReader. Great! He also listed four hardcover books he’d acquired. Then, without mentioning how he acquired those tomes, he admitted that of the 22 electronic books he added to his TBR (to be read) pile, most (90%) were free!

I can’t remember the last time I walked into a bookstore, picked up a dozen books, and walked out without paying for them. I’m not talking about stealing; I’m saying free!

Why are so many new-age author/publishers willing to give their work away?

I’m sure part of the reason has to do with advice. Just about every blog, article, chat room and discussion board recommends that newly published authors should offer freebies. I think another part of the reason has to do with the competition. With so many books flooding the electronic world, competition is becoming fierce; getting noticed is tougher.

Writers who thought finding an agent or getting through the hallowed doors of the print publishing buildings was daunting, now find themselves in similar disheartening circumstances.

I’m not so sure we should follow the trend by giving away our work. Is there another profession so hard up for “customers” that does so?

We all know the annual income for many writers falls below the poverty level. My biggest concern is that it’s tumbling even further because of the free trend.

Like the big publishers, I’d offer review copies to qualified reviewers. That’s a legitimate avenue toward publicity. I could be wrong but I don’t believe giving titles away randomly to a large population will enhance a writer’s public image. So I stand against what looks to be conventional wisdom (everything’s fast in the electronic age) and say NO TO FREEBIES.



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Monday, June 6, 2011

Print publishing is not dead

Because I publish my work in electronic editions, I frequent the ebook forums and chat rooms and in particular the kindle boards to keep up to date on all topics that focus on ebooks. One of the most talked about topics on these sites is whether or not the publishing world as we have known it is doomed.
A 12" record, a 7″ record, and a CD-ROM.Image via Wikipedia

No, I don’t think print on paper, hardbound or paperbound books, will disappear from the face of the earth. I believe the subject can be compared to the music industry.

There was a time (through the 1950s) when a handful of record companies ruled the world of music. If musicians couldn’t get a deal with one of the five or six big outfits, they were relegated to obscurity. Their work was virtually invisible. But with the emergence of rock and roll, independent producers created their own labels to showcase singers who didn’t fit the traditional mold. Then came Motown and the music industry changed forever.

Technology changed, of course, and the 45 rpm record took a back seat to the vinyl LP for a while, then the eight track hit the market only to be overtaken by the cassette, which eventually fell out of favor, replaced by the CD, and now we have the mp3 player. And with the advancements came independent producers and companies.

But, did jazz die? Did classical music become obscure? Did big labels suddenly fall off the face of the earth?

Guess what? Changes in taste and technology aside, the big record companies of the past are still alive. Music is still alive.

I think publishing will follow suit. Tastes will shift; technology will continue to make headway; the dominant publishers will continue to publish and independent publishers will make their voices read.
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Monday, May 23, 2011

A new vocabulary for ebooks

Now that I’ve successfully formatted and uploaded two novels for the Kindle (see the links on the sidebar), I’ve started researching ways to get people to read them. Of course, the first step is to use a search engine to look for advice from other (successful) ebook writers and publishers.

That’s when the first two problems crept into my journey.

Naturally, I expected the results to bring a ton of links to Amazon and the gazillion ebooks already online. These were rather easy to cull.

What I was surprised to find is many references to methods for publicizing and selling how-to publicizing nonfiction works aimed at making money. Too many of these touted affiliate marketing and reselling the rights to tired old manuals.

This directed me to an idea.

Why don’t we get more specific when we refer to our work?

Why not call our work:

enovels
efiction
enonfiction

These can be further delineated into subcategories that reflect genre or content. For example:

emystery
esuspense
eromance
epoetry
etextbook
espritbook
ereligiousbook

Now when it comes time to research methods to promote a ebook novel, the engines might be more amenable to returning results targeted at the specific request.

Just a thought.

Saturday, April 23, 2011

Ebook, print book, audio book: Which one?

As I was reading The Brain that Changes Itself, I found myself keeping a spreadsheet listing references and topics, something to look at later. I used the spreadsheet because the book was on loan to me from a friend and I couldn't use a highlighter.

So, today, I started doing some research on the list, and that's when I hit the wall of question: Should I opt for the ebook, the audio version or the hardcover or paperback?

To tell the truth, living on a relatively fixed budget makes the decision somewhat easier. Whenever the opportunity arises, I'll choose the least expensive option, selecting good condition used books whenever possible. Of course, when money was (sort of) no obstacle and if the book was going to stick around in my library, my first choice would be the new hardcover; the second would be the new paperback; or for certain types of books, especially those that required following directions, I'd pick the audio.

Today's research brought up a new question, one that helps narrow my decision but also makes me wonder: What's up with the price of ebooks?

If I have to choose between hardcover (new or used) or ebook version, what's the point of buying the ebook if the price is just a dollar or two less than the hardcover?

I know. The electronic book is more portable, and truth be told, in better economic times, I'd buy both print and electronic versions -- if the latter had a better price structure.

So tell me, what makes issuing an already published book electronically is so expensive? The editing has already been finished; the marketing has already been finished; the distribution has already been finished; calculation of the sales figures has already been finished.

So subtract those figures from the original bottom line for producing the print book and offer the ebook version for a reasonable cost.

Maybe the real question is: Looking to the future, are publishers trying to set a precedent for the price of ebooks




If that's the case, then the publishing world is doomed because writers will soon learn that the cost of hiring an editor and an illustrator on a per project, then pricing the work reasonably, is a better way to go.

Sure, the author will give up some of the marketing and distribution offered by the publisher but face the evidence, the mega publishers have already cut chunks of that part of the cost out of their budget. Too many authors have to market themselves already so that's a moot point.

Good thing we still have small, aggressive publishing houses that understand.

Thursday, March 31, 2011

Promoting your eBook: Part Two

One of the pieces of advice I picked up recently recommended having more than one title to offer on your eBook journey. This move tends to lend credibility to your profile.

While I have one more novel in the tidying up stage and two more that need work, I'm not ready to convert any of them yet.

However, I did have a short story I wrote about ten years ago. Conversations with Marilyn is a little bit of suspense, a little bit of Vegas and a little bit of coming to terms with your life. I decided to add that to my list on Amazon. I priced it at 99-cents because that seems a fair price for a short story. I think it gives some insight into my style of writing in this genre.

I hope you'll take a look at it and give me an opinion.




Meanwhile, take a look in your stash of stored writing and pull out something you like to add to your list. It could be some poetry, a short story, a collection of short stories, or even a memoir. Add them to your list of published works.

Who knows, maybe one day you and I will be as recognized in the eBook world as Amanda Hocking.


Tuesday, March 29, 2011

Promoting your eBook: Part One

Promoting your eBook has to be one of the tougher parts of the writing and publishing process. You have to sell yourself and your title. If you're the more reticent type, someone who is good with words as long as they aren't "personal," you have to figure out how to come out of your shell and spread the word.

I used to be that reticent person but the more I read and learn about self-promotion the more I realize there's no sin or crime or negativity attached to tooting your own horn.

Shameless commerce works!

As I figure out ways to tell the world about my own work, I'll post them here so you don't have to travel all over the Internet trying to figure out how to get more sales.

I started out by announcing The Mine on my facebook page. That encouraged my friends to post the news on their pages.

Immediately after, I tweeted the announcement.

I'm not sure the twitter thing has brought any visitors to look at the title. I know facebook resulted in a couple of sales.

Next, I joined the Kindle Board Community because I see that many independents use the boards to hype their work and discover what's going on in the eBook world. I started by reading other posts, making lists of books that sounded appealing to me, and then dropping into the Indie Authors: Plug Your Book Here discussion to introduce myself and my work.

For now, I'm off on the hunt for more. As soon as I find them, you'll know about them.

Friday, March 25, 2011

The future of publishing -- from my view

Just because I published my first novel as an eBook doesn’t mean I’m thinking or hoping that the print book will disappear from the face of the known universe. I love print books, have a lovely little library of my favorites, mostly hardbound, and I read them--often. I’m also privileged to have good friends who loan me books to read.

I’m also not thinking or hoping that the publishing industry fades into the sunset. The inherent value of this media is obvious. Publishers have editors who find typos, grammatical errors, inconsistencies, talented cover artists, typesetters who know the difference between an inch mark and a curly quote, all of which, the independents probably can’t afford to hire. This leaves the self-publisher working within the boundaries of their own knowledge and education--and sometimes (probably most of the time) that isn’t enough to get the job done right.

I know, for example, I can’t proofread my own words. In fact, two people read the finished product before The Mine went live and while making their edits they presented to me I found two additional mistakes in the manuscript. (And we all know, most word processors fall short when it comes to recognizing grammatical errors and even certain typos.)

Publishers also handle all the accounting, the royalties, even (although not so much anymore), the publicity for their authors.

The biggest problem I see regarding publishers is their reluctance to take on new authors. They prefer the big name (celebrity, politician, guru) and established (published and successful) names. Emerging writers stand a miniscule chance of ever getting their work to a publishing house.

Then, that no-name writer has to try to enter the hallowed realm of the agent with a spot-on query letter and breathless hopes that the letter, the genre, and the sample chapters hit home enough to whet the agent’s appetite.

Now agents apparently have very little time to commit to unsolicited requests.

How is it, I wonder, that I can read a book in a day but agents can’t read a query letter for months or more?

When I was polishing up another novel, I sent one query letter by email to an agent. After months without a response I fired off a second letter to another agent who took three months to proffer a rejection message. A third attempt brought an almost instant “No thanks, not for me.”

If an agent does take on an unknown author, there could be a year or more lapse of time between a sale and the actual appearance of the work.

These observations (some could call them complaints) are so old they might even be considered tradition by now, but they make up the hurdles a novelist or non-fiction author has to scale in hopes of seeing his or her work in print.

Of course I’d like to see my books on the shelves of bookstores that still exist but I prefer not to go to my grave while waiting.

However, I love the look and feel of a hefty novel. I like sitting on the porch enjoying a glass of iced tea and a good story. I appreciate the way the words look on paper. So I will continue to support the authors who have been fortunate enough to make it in this tough field.

I will buy the hard covers I want to keep. I will buy the paperbacks I want to read. I will download whatever suits my fancy.

I’m sure there are a lot of other folks who, like me, will buy tangible books for their own personal tastes and reasons, for a long time to come – if publishers do a little trip into the present and realize they must make some changes, I figure they can last a long time as well.
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Wednesday, March 16, 2011

The ebook journey - Part Nine and a Half: The Wait is Over

Let me rephrase the headline for this post.

The wait is almost over.

It took more than 24 hours for The Mine to go live. I downloaded a sample to my kindle and almost cried. The images did not show up!

So it was back to the proverbial drawing board, an hour of searching, and a quick review of where I went wrong. Apparently, when I uploaded the file, the images (a color cover, a black and white cover and a vignette) didn't upload. Actually, I missed that step somehow.

To rectify the error, I had to download the title -- it's comes as a zipped file -- add the images to the to the zipped folder that contains the title, and upload again.

Not a problem except that it will be another 24 to 48 hours before the book goes live again.

As soon as it does, I'll sample it and make sure it's okay before making the final announcement that it's available for purchase.

The ebook journey - Part nine: Waiting

It took a bit longer than 24 hours for The Mine to pass the review stage on Amazon's Kindle page.

I believed the review process would be the final step but apparently there's one more -- publishing. The novel has been in that stage for about the same 24-hour time period and my sense of dread is growing. Those people who live in my head are having nonstop anxiety conversations.

What if there's a mistake? What if she missed a typo? What if it doesn't look like an ebook? Are you sure the cover is going to be sufficiently attractive? What if it gets stuck in the publishing stage? Did she miss a step along the way? How is she going to promote this baby? And finally, the worst question: What if nobody buys the darn thing?

Then somebody up there chimed in with a totally unrelated question: "What's the correct way to spell ebook (eBook, Ebook, EBook)?"

Think I'll take the day off and work in the yard.

Tuesday, March 15, 2011

The ebook journey - Part eight: Uploading to kindle

Surprise!

The uploading of The Mine to Kindledesktop publishing went through with just one minor problem.

It seems there’s a blank I “forgot” to fill in. I say “forgot” because I never saw the blank in the initial form.

What was missing? Something called Additional Contributors.

Well, I’m the only person who contributed so why would have to list any additional names?

Don’t know. Just have to.

I just filled in my own name and clicked the save button and the minor problem disappeared.

Now it's a waiting game while the folks at Amazon go through some review process.

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Monday, March 14, 2011

The ebook journey - Part seven: Finding formatting gliches

Finally!

It’s time to upload the spiffed up, cleaned up, formatted, reformatted, html file of the novel.

Or so I thought.

After following the directions and confirming the coding by searching for and finding several sources, I believed the product was ready to upload and preview.

Hmmm. We know about those “best laid plans.”

Apparently, after fifteen reformats, there’s a problem getting the images to show up in the preview. I’ve used only two – a version of the cover and a little vignette to separate some of the sections in the novel.

Neither image shows in the preview. In fact, there’s some little camera icon with that scary little exclamation point inside a triangle – you know, the one that serves as a warning that you’ve done something wrong.

Interestingly, both images displayed properly in the two ebook readers I used to review my changes.

So it’s back to the drawing board to see if I can figure out what the deal is.