Wednesday, May 25, 2011

Six phrases a writer should NEVER use

Why would you say something that’s “needless to say?”

Every time I see these words as they introduce a statement, I’m tempted to skip anything that follows them.

After all, if something is “needless to say,” why say it?
Do we really need to write “for example?”

Admittedly, I do it all the time. I know if my words are clear, concise and comprehensive, I don’t need to tell someone I’m citing an example.
I guess the usage goes back to my high school English teacher who insisted we use examples in all our writing. I vow to stop using these two words together again.

Do you really mean you “could care less?”

If I hear this phrase one more time, I might slap myself on the forehead. If I see it on a blog or in an article again, I will definitely respond.

Think about how the phrase breaks down. If you COULD care less then you must care.
Here’s one I find strange: “Let me state …”

No! I’ve already allowed you to state numerous things. Why do I have to give you permission now?

Who’s saying (writing) it anyway? “If it were me” (also known as “If it was me”) I already know it is you.

Finally, this one bothers me: “Plan on.” From what I know about the English language, “on” needs some kind of contact. You can put your plan on something but you plan to do something.

Redundancy lives. It breathes – in books, articles, blogs, columns, practically anywhere a writer writes. We’re probably all guilty. I know I am. At least, though, I won’t uses these six demons again.

Monday, May 23, 2011

A new vocabulary for ebooks

Now that I’ve successfully formatted and uploaded two novels for the Kindle (see the links on the sidebar), I’ve started researching ways to get people to read them. Of course, the first step is to use a search engine to look for advice from other (successful) ebook writers and publishers.

That’s when the first two problems crept into my journey.

Naturally, I expected the results to bring a ton of links to Amazon and the gazillion ebooks already online. These were rather easy to cull.

What I was surprised to find is many references to methods for publicizing and selling how-to publicizing nonfiction works aimed at making money. Too many of these touted affiliate marketing and reselling the rights to tired old manuals.

This directed me to an idea.

Why don’t we get more specific when we refer to our work?

Why not call our work:

enovels
efiction
enonfiction

These can be further delineated into subcategories that reflect genre or content. For example:

emystery
esuspense
eromance
epoetry
etextbook
espritbook
ereligiousbook

Now when it comes time to research methods to promote a ebook novel, the engines might be more amenable to returning results targeted at the specific request.

Just a thought.

Sunday, May 22, 2011

Gaga teaches an old broad new tricks

I’m a writer first but I have a passion for art, for exploring my universe and for music. I’m not a big fan of television, especially when any interesting program has to be interrupted by up to a dozen commercials, and when the network has to float previews and banners on top of a show I’m watching.

This week I will end my cable connection, won’t install an antenna and will use my high-def TV for watching videos and music that appeal to me.

To celebrate the upcoming event, I decided to spend yesterday with the set running as background noise. That’s when I stumbled upon a network called fuse and a show called the Gaga-Thon.

Now I’m fully aware of the presence of this performer, Lady Gaga, and I’ve heard her music on the radio. But like many people of my generation, I dismissed her as a show woman on a roll. Honestly, she clothes herself in meat, wears high heels that would give most women a nosebleed and presents herself in some very provocative videos, all of which separates her from the accepted ethics of most of us who are over the age of thirty.

Gaga talked about the reasons behind her “outrageous” look, her suggestive videos and her evocative lyrics. She is, in essence, a woman with a mission, a woman who represents a movement via popular culture to bring attention to important social issues.


The program captivated me and taught me a lesson every writer should learn.

Open your mind a well as your eyes and ears. Don’t dismiss anything until you’ve had time to research, investigate and experience it. Use BOTH side of your brain.

Maybe you won’t fall in love with Lady Gaga but you might. And if you don’t, you’ll still have some new tricks to add to your writing.

Saturday, April 23, 2011

Ebook, print book, audio book: Which one?

As I was reading The Brain that Changes Itself, I found myself keeping a spreadsheet listing references and topics, something to look at later. I used the spreadsheet because the book was on loan to me from a friend and I couldn't use a highlighter.

So, today, I started doing some research on the list, and that's when I hit the wall of question: Should I opt for the ebook, the audio version or the hardcover or paperback?

To tell the truth, living on a relatively fixed budget makes the decision somewhat easier. Whenever the opportunity arises, I'll choose the least expensive option, selecting good condition used books whenever possible. Of course, when money was (sort of) no obstacle and if the book was going to stick around in my library, my first choice would be the new hardcover; the second would be the new paperback; or for certain types of books, especially those that required following directions, I'd pick the audio.

Today's research brought up a new question, one that helps narrow my decision but also makes me wonder: What's up with the price of ebooks?

If I have to choose between hardcover (new or used) or ebook version, what's the point of buying the ebook if the price is just a dollar or two less than the hardcover?

I know. The electronic book is more portable, and truth be told, in better economic times, I'd buy both print and electronic versions -- if the latter had a better price structure.

So tell me, what makes issuing an already published book electronically is so expensive? The editing has already been finished; the marketing has already been finished; the distribution has already been finished; calculation of the sales figures has already been finished.

So subtract those figures from the original bottom line for producing the print book and offer the ebook version for a reasonable cost.

Maybe the real question is: Looking to the future, are publishers trying to set a precedent for the price of ebooks




If that's the case, then the publishing world is doomed because writers will soon learn that the cost of hiring an editor and an illustrator on a per project, then pricing the work reasonably, is a better way to go.

Sure, the author will give up some of the marketing and distribution offered by the publisher but face the evidence, the mega publishers have already cut chunks of that part of the cost out of their budget. Too many authors have to market themselves already so that's a moot point.

Good thing we still have small, aggressive publishing houses that understand.

Wednesday, April 20, 2011

The future of the bookstore

I’m really fortunate to be a participant in a local group call the Antiquarian Book Guild. The members either own or have owned independent bookstores, or are long-time book collectors, or are book restorers. Me? I’m just an apprentice. That’s why I consider myself lucky.

The guild meets once a month for dinner at local Las Vegas restaurants to exchange ideas, discuss specific topics, and, of course, enjoy each others company.

At the last get-together, the topic under discussion was The Future of the Bookstore. In light of the recent mega-store closures or pending bankruptcies, the question was timely and pertinent.

Being devoted and passionate about their trade, the booksellers affirmed that the small, independent stores will flourish, not necessarily because the powerful competitions are failing, but because people who love to read print books and collect their favorites, have not gone belly-up.

Personally, I prefer a neighborhood bookstore, particularly the used and antiquarians. I visit them frequently because not only do I get a chance to find old classics, authors new to me, my favorites (genre and author), but I get an education. The sellers talk to me, enlighten me and teach me.

I’m wondering, what do you think about the future of the brick-and-mortar bookstore? Take the poll above and I’ll pass your thoughts on to the group.

(P.S.) This is my first attempt at polling. As I figure out how to post more than one question, I'll try again. I just hope this one works!)

Tuesday, April 19, 2011

Setting aside a day for reading

I usually have two books open and available for reading at all times. One sits on the nightstand by my bed; the other on the coffee table, next to my laptop. But my reading is sporadic, squashed in between meditation, walking, writing, dusting, and eating.

All this is a far cry from long ago when I would devour a book without thinking about the stereotypical tasks of life that should be attended to ... things like washing the dishes, vacuuming, answering mail or calling friends.

Yesterday, I decided there was something fundamentally wrong with the way I have been treating my recreational reading, and I determined to do something about it. After all, a writer should read as much as possible.

I've set Tuesdays aside for nothing reading.

I've just finished the book on the coffee table: The Brain that Changes Itself The Brain That Changes Itself by Norman Doidge, M.D.(loaned to me by a friend) and I'm now picking up Deception: An Alex Delaware Novel by Jonathan Kellerman (purchased because Kellerman is one of my favorite fast-read mystery writers.)

I think this is  going to work out well. Of course, I'll still read sporadically, but now I won't feel guilty about reading just one more paragraph before getting back to the mundane.

Monday, April 18, 2011

Spring arrives in Las Vegas

Spring doesn't last long in Las Vegas.

A week, two weeks of cool nights, warm days, and hollyhocks in bloom. Perfect weather for just about any outdoor adventures.

Trim the branches on the mulberry tree, pull the weeds from the wildflower plot, water the hibiscus and the spearmint plantsthen lounge on the wicker chair with a good book.

Evenings are great for writing in the cool darkness on the porch, listening to some good old rock and roll.

It's the desert so spring won't stick around. Soon it's gone and the sun takes up permanent residence heats the day and, soaks into the concrete so the nights rarely cool down.