It's been nearly three months since my last post. (If I had started that with "Bless me father" this would sound like a confession.) But my absence has not been without reason.
After nearly five months of mistakes (not mine), delays (not mine) and doubts (mine), I'm now in my new digs and ready to get back to some kind of life.
The good part of what's happened is that it happened; it's over. Like all of life, it's filed in the past, an event that doesn't actually exist anymore except to be pulled out of its filing cabinet and used as a lesson. Everything, after all, is a lesson, a test of sorts; whether we pass or not depends on how much we pay attention.
Fortunately, nothing interrupted my writing. I've managed to do the final rewrite on my third novel (and add substantial sections to numbers four and five) and have just a few adjustments to make before converting it to ebook format, which, barring any additional arduous lessons, should be ready for publication next months.
Sunday, April 14, 2013
Thursday, February 14, 2013
Doubts, second thoughts, dissatisfaction
I wonder if other writers have the same problem I have. It seems I’m never satisfied with my finished manuscripts.
I know I write fast, furiously sometimes (often). Then, when I’ve come to the end of a novel, I let it sit for a while, understanding full well that it will need a lot of work.
I’m almost always working on more than one project at a time, so when I get back to the first pass of a work, I spend a lot of time fleshing it out.
Most of the time I’m happy with the results but in the back of my mind, there are always the questions: Is it really good enough? Are my characters fully developed? Did I get too far away from the plot? Will the reader like it?
I just put the last period in Sister Death, my second Andrew Atkins novel and before I start formatting it for ebook, I’m going to do some research to see how other writers feel when they add that last punctuation mark to a work.
Any thoughts?
I know I write fast, furiously sometimes (often). Then, when I’ve come to the end of a novel, I let it sit for a while, understanding full well that it will need a lot of work.
I’m almost always working on more than one project at a time, so when I get back to the first pass of a work, I spend a lot of time fleshing it out.
Most of the time I’m happy with the results but in the back of my mind, there are always the questions: Is it really good enough? Are my characters fully developed? Did I get too far away from the plot? Will the reader like it?
I just put the last period in Sister Death, my second Andrew Atkins novel and before I start formatting it for ebook, I’m going to do some research to see how other writers feel when they add that last punctuation mark to a work.
Any thoughts?
Monday, December 17, 2012
Unusual things found in books: Part three
It seems rather appropriate.
Last week, while browsing through some old books at Plaza Books, my favorite used bookstore in Las Vegas, I came across a postcard that someone had left behind as a bookmark.
Call it synchronicity for this particular card to be found at this time, just a week before Christmas Eve.
I asked for permission to take the card home to scan, a request graciously granted.
It's a bit difficult to see but the date on the postcard is 12-22-15 and the cost of the stamp? A mere one-cent!
I'll use this post to wish everyone a peaceful, Merry Christmas.
Last week, while browsing through some old books at Plaza Books, my favorite used bookstore in Las Vegas, I came across a postcard that someone had left behind as a bookmark.
Call it synchronicity for this particular card to be found at this time, just a week before Christmas Eve.
I asked for permission to take the card home to scan, a request graciously granted.
It's a bit difficult to see but the date on the postcard is 12-22-15 and the cost of the stamp? A mere one-cent!
I'll use this post to wish everyone a peaceful, Merry Christmas.
Saturday, December 15, 2012
This blog isn't dead
This blog isn't dead. It's just in hibernation, sort of.
I've read several articles lately that focus on whether or not blogging is dead. It's almost as if there's a bandwagon someone built, one that a lot of writers are jumping on. The folks agree that blogging is not dead; it's just fading away. I disagree. I think it's dying for those people who have discovered it's too hard to write anything useful, creative, interesting, or fun on a regular basis.It's dying for many people who have no focus and in some cases, limited time. It's probably true for people who have little to post except pictures of grandkids, sunsets, and self-promotion. (You can get all that on social media sites.)
It's probably true for many companies that do not employ freelance bloggers or full-time writers to maintain a blog.
But blogging offers so much more than a person can get out of a 140-character post or a social media comment. It's great for offering detailed perspectives, for instruction, for a reader how-to, for making someone laugh, or to invite debate and comment. It's a good place to present and defend an opinion. It's a good start for a company or an individual to promote something without taking on the expense of a website.
None of those things is dead.
I've read several articles lately that focus on whether or not blogging is dead. It's almost as if there's a bandwagon someone built, one that a lot of writers are jumping on. The folks agree that blogging is not dead; it's just fading away. I disagree. I think it's dying for those people who have discovered it's too hard to write anything useful, creative, interesting, or fun on a regular basis.It's dying for many people who have no focus and in some cases, limited time. It's probably true for people who have little to post except pictures of grandkids, sunsets, and self-promotion. (You can get all that on social media sites.)
It's probably true for many companies that do not employ freelance bloggers or full-time writers to maintain a blog.
But blogging offers so much more than a person can get out of a 140-character post or a social media comment. It's great for offering detailed perspectives, for instruction, for a reader how-to, for making someone laugh, or to invite debate and comment. It's a good place to present and defend an opinion. It's a good start for a company or an individual to promote something without taking on the expense of a website.
None of those things is dead.
Sunday, November 25, 2012
Acting, interacting, social networking .... aaarggg
I don't know about the rest of you but I have trouble keeping up with everything internet. There's the posting and commenting on facebook; the tweeting, retweeting and readtweeting on twitter; the confusing and blankness of googleplus; the kindle boards; the blogger sites; linkedin; the ____ (You fill in the blank.)
Add to that email accounts and the mobile apps by the way.
How do you manage all that and still have a life, one that doesn't involve a keyboard or a screen?
I know I can't.
I have solved the problem for myself. It's not the best solution but it will have to work for now.
I log on to my facebook account daily and scroll through, reading the pertinent (family and friends) posts, comment if I think it will add something, then log off. I check both my email accounts, my amazon seller account, my local newspaper headlines and then I either go off to my part time job or begin to putter around the house ... you know, doing the dirty word (chores).
Once a week I check in with twitter. That's on Tuesdays. On Wednesdays, I read the posts of blogs I follow.Thursdays I check out the kindle boards.
I compose my weekly column for on Friday nights and email it immediately since it's due on Saturday.
I've limited my blog posts to those moments that inspire me.
Let me ask again: How do you manage your social networking and interacting and still have a life?
Add to that email accounts and the mobile apps by the way.
How do you manage all that and still have a life, one that doesn't involve a keyboard or a screen?
I know I can't.
I have solved the problem for myself. It's not the best solution but it will have to work for now.
I log on to my facebook account daily and scroll through, reading the pertinent (family and friends) posts, comment if I think it will add something, then log off. I check both my email accounts, my amazon seller account, my local newspaper headlines and then I either go off to my part time job or begin to putter around the house ... you know, doing the dirty word (chores).
Once a week I check in with twitter. That's on Tuesdays. On Wednesdays, I read the posts of blogs I follow.Thursdays I check out the kindle boards.
I compose my weekly column for on Friday nights and email it immediately since it's due on Saturday.
I've limited my blog posts to those moments that inspire me.
Let me ask again: How do you manage your social networking and interacting and still have a life?
Labels:
Facebook,
Google+,
LinkedIn,
Social media,
Social network,
Twitter
Saturday, September 15, 2012
Write what you know. Is that good advice?
I was working on an article tonight and had to do some research to verify some information. Suddenly a phrase popped into my thoughts.
Write what you know.
I'd heard that advice in high school; heard it again in college; heard it once or twice during my graduate studies; read it on the web.
Now I'm wondering, should I be writing about this particular subject?
"Wait a minute," this voice in my head said. "If you write only about what you know, why do you need an imagination?"
Think about it.
Did Lewis Carroll know about what it was like to fall down a rabbit hole?
Did Clement Clarke Moore actually have to meet Santa Claus to describe him so endearingly?
How many vampires did Bram Stoker run into before he created Dracula?
How much science fiction and fantasy would we enjoy if we had to know everything about other worlds?
See where I'm going with this?
Now, if I have a character who is undergoing a surgical procedure, I would have to do a lot of research to get the procedures accurately on the page. I still wouldn't know how to perform them but I'd could write about them.
I guess if you're writing a memoir, it's best to know what you write, or at least write about what you THINK you know.
So to all those people who told me, who told you, I say go ahead, fall down a rabbit hole before you pen your version of Alice's Adventures in Wonderland, but make sure you're female because otherwise ...
Write what you know.
I'd heard that advice in high school; heard it again in college; heard it once or twice during my graduate studies; read it on the web.

"Wait a minute," this voice in my head said. "If you write only about what you know, why do you need an imagination?"
Think about it.
Did Lewis Carroll know about what it was like to fall down a rabbit hole?
Did Clement Clarke Moore actually have to meet Santa Claus to describe him so endearingly?
How many vampires did Bram Stoker run into before he created Dracula?
How much science fiction and fantasy would we enjoy if we had to know everything about other worlds?
See where I'm going with this?
Now, if I have a character who is undergoing a surgical procedure, I would have to do a lot of research to get the procedures accurately on the page. I still wouldn't know how to perform them but I'd could write about them.
I guess if you're writing a memoir, it's best to know what you write, or at least write about what you THINK you know.
So to all those people who told me, who told you, I say go ahead, fall down a rabbit hole before you pen your version of Alice's Adventures in Wonderland, but make sure you're female because otherwise ...
Saturday, September 1, 2012
Who needs a proofreader?
Who needs a proofreader?
When I read blogs and forums about self publishing I find numerous suggestions that authors either hire a proofreader or go over their manuscripts thoroughly again and again.
I agree. But even with numerous readings, a manuscript can still have errors.
One of the (supposed) advantages of having a manuscript published by one of the major houses is the availability of professional editors and proofreaders.
But even that doesn't ensure a perfectly clean product. And if you think a little mistake will go unnoticed, think again. Case in point is a copy of Cold Case by Stephen White, which I picked up and read recently. It was a used copy, a hardbound published by Dutton.
Whomever owned the book before me didn't just notice errors he or she highlighted them and wrote above the highlighting. On page 181, for example, the sentence read in part, "...the local corner is an M.D." The reader corrected it with the word coroner.
On the very next page, a sentence read, "A second perimeter of yellow crime-scene tape blocked any closer access to the body."
At this point, I assumed there was a body but there wasn't. And, later, the body was discovered far away from the scene.
On page 189, the sentence read, "You're the psychologist--people wanting vengeance tend be your angry people, right?"
Except for the error referring to a non-existent body, it's easy to see how errors can slip by. And overall, the mistakes don't interfere with the plot or the writer's skill ... Little errors, yes, but wouldn't it have been shocking if the invisible body showed up later -- alive and well?
Little errors, yes, but not unnoticed.
When I read blogs and forums about self publishing I find numerous suggestions that authors either hire a proofreader or go over their manuscripts thoroughly again and again.
I agree. But even with numerous readings, a manuscript can still have errors.
One of the (supposed) advantages of having a manuscript published by one of the major houses is the availability of professional editors and proofreaders.
But even that doesn't ensure a perfectly clean product. And if you think a little mistake will go unnoticed, think again. Case in point is a copy of Cold Case by Stephen White, which I picked up and read recently. It was a used copy, a hardbound published by Dutton.
Whomever owned the book before me didn't just notice errors he or she highlighted them and wrote above the highlighting. On page 181, for example, the sentence read in part, "...the local corner is an M.D." The reader corrected it with the word coroner.
On the very next page, a sentence read, "A second perimeter of yellow crime-scene tape blocked any closer access to the body."
At this point, I assumed there was a body but there wasn't. And, later, the body was discovered far away from the scene.
On page 189, the sentence read, "You're the psychologist--people wanting vengeance tend be your angry people, right?"
Except for the error referring to a non-existent body, it's easy to see how errors can slip by. And overall, the mistakes don't interfere with the plot or the writer's skill ... Little errors, yes, but wouldn't it have been shocking if the invisible body showed up later -- alive and well?
Little errors, yes, but not unnoticed.
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